柳树模式,景观设计开发的托马斯•特纳在什罗浦郡Caughley, Eng。,in 1779 in imitation of the Chinese. Its classic components are a weeping willow, pagoda-like structures, three men on a quaint bridge, and a pair of swallows, and the usual colour scheme is blue on white, though there are variants. Very similar landscape patterns in the Chinese taste had been used earlier. In the late 18th century, Willow patterns were produced at Lowestoft, Suffolk, New Hall, Staffordshire, and elsewhere. A传说的恋人变成了燕子与杨柳的是英语,不是中国人。“南京”瓷经常与蓝柳制品混淆,它是出口陶瓷装饰在白色,蓝色在Ching-te-chen从南京港运来;彩饰外销瓷是通过广州发货的。